Stray Kids’ “Run It” Tour: A New Kind of Tension
Stray Kids kicked off their “World Tour <Run It>” in Seoul with five shows at KSPO Dome on July 25, 26,
29, and August 1 and 2. Previous tours have offered VIP perks – pre-show soundcheck, early entry, exclusive gift
items – but this cycle removed those options entirely. So when invited influencers began posting VIP passes and
perks that weren’t available to fans at any price, it exposed a tension the industry hasn’t had to address
directly before: who concert access is actually meant to serve. Is it the fans who have financially invested in
these groups, or is it the influencers with big social followings who can boost an artist’s visibility with
content?
The Unpaid VIP: What Influencers Received
Following Stray Kids’ first two shows on July 25 and 26, several VIP guests shared that they had received free
premium seats, official lightsticks, and backstage meet-and-greet access. One influencer posted a photo of her
VIP ticket despite a printed notice against sharing it publicly.
Influencer marketing in K-pop isn’t new – since TikTok’s rapid growth in 2020 and 2021, labels have
increasingly relied on individual creators to generate visibility for their artists. What frustrated fans wasn’t
the presence of influencers, but the scale of what they received compared to paying attendees. STAYs who looked
into the invited guests’ profiles found modest follower counts, with little evidence connecting many of them to
Stray Kids or the fandom specifically. That gap between access and apparent investment is what fuelled the
reaction.
Beyond the Price Tag: The Fandom’s Investment vs. Invited Access
K-pop’s fandom economy has long tied spending to devotion – the more a fan invests in tickets, VIP access,
merchandise, and albums, the more that person is perceived as a “real” fan, even though money spent has never
actually measured loyalty. That framework makes it easy to envy those who can afford what the industry defines
as “superfan” status. So when labels hand out perks and merchandise typically associated with fan devotion to
influencers instead, it raises a real question about who these events are actually designed for.
Lightsticks are a prime example — each group has its own logo, color, and design associated with its concept
and brand identity. To fans, they’re seen as a symbol of ultimate loyalty and a clear indicator of who their
favorite group, or groups, are. Waving it in the air at a K-pop concert among thousands of other fans creates a
sense of community, one that implicitly understands the weight of that moment and what it represents. So what
does that say about VIP culture when influencers with no emotional ties to the group are gifted lightsticks just
for attending and sharing content? The sentimental value typically associated with the item becomes nonexistent
at that point, being reduced to nothing more than free concert swag and something that will probably never be
touched again afterwards.
Backstage meet-and-greets add another layer to the tension. Influencer access to K-pop idols isn’t unusual in
itself – YouTuber and Twitch streamer JRE has covered K-pop for nearly 15 years and has been granted backstage
access by multiple companies, including SM Entertainment during NCT 127’s first U.S. tour in 2019. His access
tracks with a genuine, long-documented interest in the genre – something the artists themselves have recognised.
Other influencers gain similar access without that history, brought in because their content style fits what a
label wants to project rather than any connection to the artist. Shan Rizwan, known as Shan On The Street, has
built a format around K-pop and Western musicians alike, asking guests to identify songs through headphones –
including past collaborations with Hearts2Hearts and Mark Lee. The distinction is where that access happens:
Rizwan’s content is filmed on the street, open and public, rather than in a backstage setting that displaces
space reserved for fans.
Stray Kids’ current tour offers no meet-and-greets, no hi-touch, and no post-show interaction for ticket
holders – tickets are priced at a flat rate of 154,000 KRW with no VIP tier available at any price. That absence
is what makes the backstage access given to influencers land as pointedly as it did. Fans weren’t just denied an
upgrade they could have paid for; the option didn’t exist for anyone.
Visibility vs. Loyalty: Does Stray Kids Need Influencers?
What’s genuinely worth interrogating is why influencer placement was necessary at this stage of Stray Kids’
career at all. The group is selling out stadiums globally, with 10.1 million monthly Spotify listeners and a
combined following of 82.3 million across Instagram, X, and TikTok. Visibility isn’t the problem influencer
placement typically solves for a group operating at this scale – the fanbase already fills venues, streams
consistently, and pre-orders on release. The question isn’t whether influencers have a place in K-pop marketing
broadly, but whether this particular tour needed them at all.
Drawing the Line: Proximity, Authenticity, and Who Concerts Are For
A separate concern raised by STAYs was proximity – specifically, how close some influencers were positioned
relative to the stage. One fan pointed to a moment where the group turned to greet a section that appeared to
have more invited guests than ticket-holding fans, meaning members’ backs were turned toward those who had paid
to attend. It’s not a criticism of the group’s actions in the moment, but it illustrates how seating decisions
made well before the show can shape who actually gets to feel seen during it.
“Companies should at least set clear guidelines for invited guests — things like where they sit and what
they’re allowed to do,” one STAY wrote online. And typically, they do. When media personnel are invited, such as
photographers or journalists, they’re given seats that aren’t too far away but also not too close. This is so
they can experience the show and do their job from a respectable distance without taking away premium seating
opportunities from fans who paid for them. While some journalists do receive backstage access for interviews,
it’s never guaranteed, especially for the more globally recognized artists. This is what fans expect for
influencers too; it’s okay for them to attend, just as long as it doesn’t put them above everyone else.
Where fans draw the line isn’t influencer attendance itself, but whether the invitation reflects any real
connection to the group. A content creator with a documented history as a STAY brings a different kind of
legitimacy to backstage access than one with none – the resulting content reflects genuine investment rather
than a transaction.
What the backlash ultimately reveals is a hierarchy question the industry hasn’t resolved: concert experiences
are still, fundamentally, built and sustained by the fans who show up consistently, spend consistently, and
drive a group’s commercial trajectory over years. When visibility strategy starts to reshape who gets proximity
to that experience, it’s worth asking who the event is actually being designed for.
